Winter 1931 combines text and archival photographs discovered at a flea market. At its center is a glass cube placed on a shelf, holding a hidden photograph of a man throwing a snowball. The image remains invisible until viewed from above, when the man suddenly meets the viewer’s gaze. Alongside it, two framed photographs show sweeping winter landscapes filled with crowds moving through the snow.

In bringing these elements together, Lewi prompts reflection on the fragility of memory, the inevitability of oblivion, and the shifting role of photography as both documentation and ambiguity.